Friday, August 08, 2014

Cover Reveal: Trefury: Mendi's Curse by Joyce Alton

Wow, has this year been a busy roller coaster or what? Between publishing and promoting Whispering Minds, Winter’s Regret, and Battery Brothers and preparing for the release of Billy Bobble Makes a Magic Wand in December, I’ve barely had any time to blog.

But ever since I established Elephant’s Bookshelf Press, I have been determined to use this blog not only to highlight EBP writers but also share with others information about the many talented writers I’ve gotten to know over the years, regardless of their relationship to EBP.

To frequenters of my other online writing home, AgentQuery Connect, Joyce Alton is known as Clippership. She’s the moderator of what is probably the most popular group on AQC, the Speculative Fiction Forum. In my opinion, she treats it like a full-time job, which as most of us writers know tends to take away from our own writing time.

Clip is preparing to release her latest work, Trefury: Mendi’s Curse, the first part of a trilogy, which will be released in September. I’m honored to share with you the cover of the book, a space fantasy in which Thssk, a cunning and dangerous six-thousand year-old norhendra, has unwittingly caused the near extinction of his people. To rescue a boy who is pursued by his enemies, Thssk must partner with a human named Cortnee Feyandihar who is skilled and fiercely loyal but reckless and unpredictable. Their partnership may be as unlikely to succeed as their quest, but it is their last best option to achieve their goals.

I look forward to checking it out!

In the meantime, check out the cover and visit Joyce’s various homes around the Web.

Follow her on Twitter
Like her page on Facebook
Follow her blogYesternight's Voyage

Wednesday, April 23, 2014

Author Q&A With Shawn Proctor

It's amazing how being busy can make you look like you're not doing anything. With 2014 came a beefed-up commitment to Elephant's Bookshelf Press, but as a result I had less time to work on the blog that in some ways is its public mouthpiece. So, while I have a minute (and if you don't mind my typing while I knosh on a sandwich), let me start to catch up with some of the posts I'd begun in 2013 and didn't get a chance to set loose upon the world.

First up: an interview with Shawn Proctor, whose story "Just a Perfect Day," appeared in Summer's Edge.

Elephant’s Bookshelf: Lots of us writers don’t like this question, but I’ll ask it anyway: what genre do you feel is the best fit for your writing?

Shawn Proctor: There’s big a shift toward a style that uses literary fiction’s craft and mixes it with genres like horror, science fiction, fantasy, and neo-pulp (think superhero stories.) That’s me in a nutshell… Now please let me out of the nutshell now before I suffocate!

EB: You’ve had several stories published over the years, including a few in 2013. Is “Just a Perfect Day” a fairly typical Shawn Proctor story or was this an example of you experimenting?

SP: In some ways typical, but in others it’s a departure. I visited Berlin in 2007 and loved the city, especially the weird mix of urban heaviness from the Cold War and the hopefulness of the future. Originally, I had conceived of this as a horror story, but it never wanted to be that. Ultimately, the romantic arc felt stronger and truer to this piece so I went with it and cut a huge overblown Lovecraftian ending.

All writing is an experiment—this was certainly one of my more risky ones.

EB: I have to say, I don’t think any first line of a story from the summer anthologies caught my attention like yours (“At sunset, they returned to shave each other’s pubic hair.”) Was that your original opening or did you shape that over time?

SP: I had it from the start, but needed to really figure out who the people were, why they were there. Writers are drawn to the taboo. We love to explore where we’re told not to go.

When I was a kid, pubic hair was not an acceptable term. It just unnerved my parents to hear it, and I could tell that it is something that people don’t want to talk about at all. Naturally, as a writer, I’m drawn to that. Tell me not to say it, not to talk about it, and I will completely fixate on the idea. But more than trying to shock, I wanted to pull you into this intimate scene where they are making themselves physically -- if not emotionally -- vulnerable. I hoped to take this shocking sentence and make you question why it shocks…after all, hair is just hair.

EB: The characters in your story are difficult to like, yet there was something compelling or at least curious about them that made me want to find out what was going to happen. In general, do you like the characters you discover in the stories you write, and does it matter to you whether you think they’re likeable people?

I tend to write about people who are flawed or broken, and this couple is in trouble from the start because they are blind. In one respect they are blind to understanding one another in a deeper way and blind to the city they choose for their honeymoon. The image I return to over and over again is a tunnel—they only see the bricks, not the tunnel, and when the train comes toward them they are helplessly unprepared.

So, to answer the question, I may not like them, but I love them. I identify with the blindness they have because I see it in others and see it in myself at times. It’s like, “Why didn’t I know that person was toxic for me?” Because we’re all trying to see the world as it is, but we have our own ideas and perspectives blinding us.

EB: I find that really interesting. What are you working on now?

SP: I’m always balancing two things: a novel-in-progress and new short stories. I was raised a short story writer, and I can’t let go of that fun of sitting around a campfire and telling scary stories. It’s in my blood. But I recognize that there is power in building a world and crafting a long narrative, like my novel Stand-In Heroes. It’s about two thirtysomethings who rekindle a friendship one night. Unfortunately, it happens to be the same night that someone murders the world’s only superhero. They each end up with half of his powers, which they have to learn to use before the killer finds them.

It’s a challenge to take a hybrid medium like comics and translate it into a non-visual medium like prose. I’ve only got 26 letters and a couple pouches of punctuation in my Utility Belt, and I have to leap off that building to fight crime. Some days I think I should sew myself a writing cape.

EB: While I look for some thread so you can get sewing, let me say thanks for sharing some time with us!

Friday, February 14, 2014

Cover Reveal: Winter's Regret - What Might Have Been

In between shoveling and more shoveling, we were able to get a cover created for our upcoming anthology. So without further ado, may I present to you the beautiful cover of the final anthology in the Seasons Series from Elephant's Bookshelf Press. Thanks to Charlee Hoffman for creating such a wonderful image. I'll have more information soon about when and where it'll be available. One thing I'm fairly sure of: it'll still be winter, at least where I live, when it is published.

Monday, December 23, 2013

Our Next Anthology

One of the aspects of Elephant's Bookshelf Press that has emerged -- in large part due to the authors we've met -- is a concern for those in need and helping where we can. With the Seasons Series about to close with Winter's Regret, we're getting ready to launch something new.  

Bullying is a huge concern for parents, students, and school officials. The results of this tragic childhood issue can be seen in the news on a regular basis. Yet we continue to address the issue too late for most children. Studies show that targeting children before the age of ten and teaching them how to positively interact with each other before their behavior patterns are set is the biggest deterrent for future bullying.

Because of this, Elephant's Bookshelf Press is putting together an antibullying anthology for kids between the ages of seven and twelve. Cat Woods will lead this effort and serve as the editor for the anthology. 

Submissions can be told from the point of view of the bully, the victim or the bystander and must be suitable for middle grade (MG) readers. All stories should have a clear resolution that will help readers better understand the impact of bullying and/or help give them appropriate tools to deal with potential bullying situations in their lives. The maximum word count for stories is 2,500.

Submissions can be sent to Cat's email address ( ) with MG Anthology in the subject line.

Submissions are due February 15. We're aiming to publish in early May (May 5 is our target date.)

If you have questions, you can ask Cat or me (Matt Sinclair; I'm serving as copy editor on this one.)

We will not be able to pay for a story, but we will send authors a gratis copy of the final anthology.